Produced by Portishead co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it results in a comically executed chaotic run on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
Game is in UK and Irish theaters from November 17.
